Millet s graphicsistic purpose in the `Man with a hoe and some other similar paintings and there were those who appreciated his refinement as a colorist , the uniqueness of his impasto technique and his endearing compositions . Whereas prowessistic exclusivelyy the accent for the panther was on the translation of the real subject onto the canvas inhabit politic anyy it was on the choice of subject that was highilluminationed . In a highly volatile environment , every work of art was a story told , and its angle or composition or the moment captured by the artist was subjected to great br scrutiny3In this low-cal , many critics and viewers protested with unexpected fervor when Millet exhibited the `Man with a Hoe at the Salon in 1862 . The french private-enterprise(prenominal) reacted by feeling it was directed at them , a tease on their wealth and an attempt to gain sympathy . They gift their distaste for empowering the dirty almost over-sized farmer as it symbolized to them the yob , the rebel , the revolutionary .
They felt Millet granted the working categorize and the laborer with undue attention and flattery by moving-picture show him as a graceful courageous man , an succeeder The vast social and monitory differences crosswise various sections of the cut society had created a rift , one that could not headspring accept honest expressions . Feelings of guilt , fear and suspicion were irrepressible among those who wer e well-to-do and knew little about the worki! ng class across the country . The painting reflected the romanticized ideas of the time that the Realists out rightly defied . It be to the critics a biased idea to paint and the man in the painting would loom like a threat . When questioned , Millet refused all accusations and professed to painting along the realist philosophy - that of accurate and objective centre depiction . His love for and familiarity with fields was...If you want to get a full essay, order it on our website: BestEssayCheap.com
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